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In the early 20th century, Luka, a poor, crippled young boy from the wrong side of the tracks, stumbles upon a theatre at the end of a carnival, where he befriends a bunch of kids who work and live at the theatre, and he feels more at home there than he has anywhere else. However, at the same time, an evil, ruthless upper-class woman on the brink of bankruptcy plots to sell the theatre to gain some extra money, and if that happens, everyone at the theatre will be thrown out into the streets. Luka works together with his new friends to try to save it.

70s, Angela (Manuela Arcuri) flees from the Neapolitan bass, wants to leave behind the ugly memories and rebuild a life in Rome. Someone, however, can not forget her: Carmine (Brando Giorgi) a young unscrupulous boss and John (Giovanni Scifoni), a thirsty commissioner of justice. When Angela returns to Naples with her husband Gabriele (Sergio Muniz), she struggles for the survival of her family. Carmine, in fact, defying the power of boss Conticello (Giancarlo Giannini) and Nina's love (Elena Russo), will not stop at nothing and nobody to have Angela at her side .

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During a drug trafficking investigation, two officers from the Rome Squad, accidentally break into a beautiful villa, inhabited by an Italian-American.

23 years in the making, “Pereio, Eu Te Odeio!” is a documentary on legendary Brazilian actor Paulo Cesar Pereio, an irreverent and controversial artist and public figure, as told by the testimonies of friends, family, and society members who hate him.

Patients flock to the newly opened "slimming" sanatorium with the aim of losing weight. And although each of them has a different reason for doing so, they are all now undergoing the most bizarre procedures and exercises under the supervision of an ascetic head physician, all without food, alcohol, or sex. For most of them, this makes their stay at the sanatorium a nightmare. Jedlík's characters are romantic and foolish, funny and touching, and none of them lack a sense of humor. They are all guided by love, for people, things, work, and, of course, food, and each of them ultimately finds it.

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A young man in love with a girl whose father--his employer--does not approve of him, disguises himself as a hunchback to get into the father's good graces.